Ravikiran, Musiri Chambers

Sri. N. Ravikiran - vocal
Sri. V. V. Ravi - violin
Sri. K. V. Prasad - mRudangam
Sri. T. V. Vasan - ghaTam

sarasuDa ninnE - sAvEri varNam
Agama rAjagOpAla - kEdAram - OVK (s)
rAvE himagirikumAri - tOdi - SS
EmanaticcEdavO - sahAnA - T (a)
ETi janmamidi hA - varALi - T
dwaitamu sukhamA - rItigauLa - T (a,s)
br_hannAyakI - AndAli - MD
RTP - shanmukapriyA - "saravaNabavanE shanmukanE kAtharuLvAi" - Adi (2 kaLai)
tani
Adi nIpai - yamunakalyANi - dharmapuram subbarAyar jAvaLi
ninnu jUchI - punnAgavarALi - kshEtragya padam
tillAna - sindhubhairavi - own comp
nI nAma rUpamulakU - saurAshtram

Almost all the piece had small sketches of the rAgam. Sri. Ravikiran rendered the AndAli kriti in the dhanammal bAni as a janya of kharaharapriyA while the more known version is a janyam of harikAmbhOji. sahAna was beautiful and rItigauLa was well elaborated. shanmukapriyA was just brilliant. The pallavi sounded like an improptu one. All the swarams were brisk and every piece was just prooving the vidwat of Sri. Ravikiran. The rAgA essays of both the vocalist and the violinst were quite on par. Accompanists were all good. the tani Avartanam was very well co-ordinated between both of them and a memorable one. It was a marvellous concert.