T N Seshagopalan, Meenakshi Sundararajan Fine Arts Academy

T N Seshagopalan - R K Shriram Kumar - Neyveli Narayanan - Guruprasad

Meenakshi Sundarajan Fine Arts Academy

O jagadambA - Anandhabhairavi
thelisi rAma - pUrNacandrikA (S)
angArakam - suruTTi (R, slokam, N and S at 'dInarakshakam pUjita vaidyanAta kshEtram')
manvyAla - naLinakAnti
ADa mODi galatE - cArukEsi (R, S at 'mATalADa mODi galatE')
tani
kAnIrE - khamAs - OVK
hari bolo - dvijAvanti
pravisha rAdhE - sindhubhairavi (short sketch and slokam)
vaLam peruga - sindhubhairavi
ninai madi mukha - hamsAnandi - tiruppugazh
pavamAna - saurAshTram
sriyatkAntAya - srI rAgam

TNS has sruthi problems during the suruTTi piece. His expansions of suruTTi and cArukEsi were very good. Though a bit strechted beyond limits, cArukEsi svarams were well rendered. One actually lost the cArukEsi effect during some parts of the svarams.

RKS was good overall, in both solo versions and in accompanying.

Neyveli Narayanan could have played a bit more adhereing to the kritis and sangatis.

Guruprasad was good.