S Balambal, Nada Inbam
S Balambal - Veenai
Umayalpuram Mali - Mrudangam
Nada Inbam, Raga Sudha Hall
26 March 09. 6 pm
sarasija nAbhA - kAmbhOji - aTa (R)
mahA gaNapatim - nATTai - Adi - MD (RS)
janani ninnuvinA - rItigauLa - misra cApu - Subbaraya Sastri (R)
Ananda naTamADuvAr - pUrvikalyANi - rUpakam - NS (RS)
telisi rAmA - pUrNacandrikA - Adi - T
Emi jEsitEnEmi - tODi - misra cApu - T (RtS)
tani
navanIta chOra - bEhAg - Adi (R)
alai pAyudE - kAnaDa - Adi - OVK (R)
puLLi kalAba mayil - kAvaDi chindu
English Notes
bhAgayAda lakshmi bArammA - madhyamAvati - Adi - PD
It was a very good concert. All the kritis were rendered with a lot of bhavam and the grandeur of the compositions kept intact. The AlApanains were very traditional and classicism filled. The svaram parts were all measured and fitting for the pieces presented. The mridangam was particularly suited for the concert. Artists played in perfect tandem.
Umayalpuram Mali - Mrudangam
Nada Inbam, Raga Sudha Hall
26 March 09. 6 pm
sarasija nAbhA - kAmbhOji - aTa (R)
mahA gaNapatim - nATTai - Adi - MD (RS)
janani ninnuvinA - rItigauLa - misra cApu - Subbaraya Sastri (R)
Ananda naTamADuvAr - pUrvikalyANi - rUpakam - NS (RS)
telisi rAmA - pUrNacandrikA - Adi - T
Emi jEsitEnEmi - tODi - misra cApu - T (RtS)
tani
navanIta chOra - bEhAg - Adi (R)
alai pAyudE - kAnaDa - Adi - OVK (R)
puLLi kalAba mayil - kAvaDi chindu
English Notes
bhAgayAda lakshmi bArammA - madhyamAvati - Adi - PD
It was a very good concert. All the kritis were rendered with a lot of bhavam and the grandeur of the compositions kept intact. The AlApanains were very traditional and classicism filled. The svaram parts were all measured and fitting for the pieces presented. The mridangam was particularly suited for the concert. Artists played in perfect tandem.
Labels: Instrumental, S Balambal
1 Comments:
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