Manda Sudharani, Nadopasana
Manda Sudharani - R K Shriram Kumar - N Manoj Siva - V Anirudh Athreya
Nadopasana, PS School
6 Feb 2010. 6:30 pm
karuNimpa idi - sahAnA - Adi - VK (short sketch, S)
girirAja sudhA tanayA - bangALa - Adi - T
manasA manasAmartyamEmi - vardhani - rUpakam - T (RS)
nI padamulE gatiyani - navarasa kannaDA - Adi
himagiri kumAri - ravikriyA/raghupriyA - Adi - MD (RS)
rAmA nIyaDa - kharaharapriyA - Adi - T (RNS)
tani
RTP - hamsAnadi - tisra tripuTa (sama eDuppu, 4 aridi)
sadA nI smaraNE gati sAma gAna mOdini
(sUcita svarAkshara & graha bEda pallavi with hindOLam)
parulanna mATa - kApi - rUpakam - DS
bhAvayAmi gOpAla bAlam - yamunA kalyANi - kaNDa cApu - A
nI nAma rUpamulaku - saurAshTram - Adi - T
It was a good concert. The AlApanais of vardhani and ravikriyA were both done well. The kharaharapriyA and hamsAnandi were both presented excellently. There was a good mix of rare and known pieces in the concert. The pallavi was rendered with exceptional control and there were svarAksharams all over. Smt. Sudharani also explained that during the grahabEdam from hamsAnandi to hindOLam omiting the shadjam of hamsAnandi, except for the shift of shadjam to the hamsAnandi rishbam, all the other notes retain their frequency and name as such for the new scale to get the new rAgam.
The accomapanists were wonderful. A good concert
Nadopasana, PS School
6 Feb 2010. 6:30 pm
karuNimpa idi - sahAnA - Adi - VK (short sketch, S)
girirAja sudhA tanayA - bangALa - Adi - T
manasA manasAmartyamEmi - vardhani - rUpakam - T (RS)
nI padamulE gatiyani - navarasa kannaDA - Adi
himagiri kumAri - ravikriyA/raghupriyA - Adi - MD (RS)
rAmA nIyaDa - kharaharapriyA - Adi - T (RNS)
tani
RTP - hamsAnadi - tisra tripuTa (sama eDuppu, 4 aridi)
sadA nI smaraNE gati sAma gAna mOdini
(sUcita svarAkshara & graha bEda pallavi with hindOLam)
parulanna mATa - kApi - rUpakam - DS
bhAvayAmi gOpAla bAlam - yamunA kalyANi - kaNDa cApu - A
nI nAma rUpamulaku - saurAshTram - Adi - T
It was a good concert. The AlApanais of vardhani and ravikriyA were both done well. The kharaharapriyA and hamsAnandi were both presented excellently. There was a good mix of rare and known pieces in the concert. The pallavi was rendered with exceptional control and there were svarAksharams all over. Smt. Sudharani also explained that during the grahabEdam from hamsAnandi to hindOLam omiting the shadjam of hamsAnandi, except for the shift of shadjam to the hamsAnandi rishbam, all the other notes retain their frequency and name as such for the new scale to get the new rAgam.
The accomapanists were wonderful. A good concert
Labels: Manda Sudharani, Vocal
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