K L Kaushik, Semmangudi Srinivasa Iyer Golden Jubilee Trust
K L Kaushik - Flute
R Raghul - Fiddle
S R Ethirajan - Mridangam
Semmangudi Srinivasa Iyer Golden Jubilee Trust
Raga Sudha Hall
26th July 07. 5 pm
brOcEvArevarE - sriranjani - Adi - T (S)
mAnamu lEdA - hamIrkalyANi - Adi - T (R)
tuLasi jagajjanani - sAvEri - rUpakam - T (RNS)
srI mAtrubhUtam - kannaDa - misra cApu - MD (short sketch, S)
srIkAnta nIyaDa - bhavapriyA - Adi - T
manasu vishaya - nATTaikuranji - Adi - T (RS)
tani Avarththanam
parulanna mATa - kApi - rUpakam - DS
The concert began with a brisk rendition of the sriranjani kriti with a fitting round of svarams. The AlApanai of hamIrkalyANi was done well. The kriti was rendered in a striking fashion.
sAvEri Alapanai was done in a fashion bringing all the beauty of the rAgam. The violinst gave a fitting reply. The kriti, a not so often heard piece, was rendered with elaborate neraval and svarams. The short sketch of kannaDa was exciting. The kriti was rendered very beautifully. The violinst followed like a shadow. The mridangist provided good support also.
The main AlApanai of nATTakuranji was very elaborate and showed many nuances of the rAgam and explored the rAgam quite thoroughly. The violinst gave a real nice reply. The kriti was rendered with an elaborate round of svarams and korappu. The mridangist was very accomodative in playing for the slow piece and played a nice tani. The jAvaLi came with a good flair providing a good ending to the concert.
The three young musicians were good in their respect. They seem to be very promising for the future years to come.
R Raghul - Fiddle
S R Ethirajan - Mridangam
Semmangudi Srinivasa Iyer Golden Jubilee Trust
Raga Sudha Hall
26th July 07. 5 pm
brOcEvArevarE - sriranjani - Adi - T (S)
mAnamu lEdA - hamIrkalyANi - Adi - T (R)
tuLasi jagajjanani - sAvEri - rUpakam - T (RNS)
srI mAtrubhUtam - kannaDa - misra cApu - MD (short sketch, S)
srIkAnta nIyaDa - bhavapriyA - Adi - T
manasu vishaya - nATTaikuranji - Adi - T (RS)
tani Avarththanam
parulanna mATa - kApi - rUpakam - DS
The concert began with a brisk rendition of the sriranjani kriti with a fitting round of svarams. The AlApanai of hamIrkalyANi was done well. The kriti was rendered in a striking fashion.
sAvEri Alapanai was done in a fashion bringing all the beauty of the rAgam. The violinst gave a fitting reply. The kriti, a not so often heard piece, was rendered with elaborate neraval and svarams. The short sketch of kannaDa was exciting. The kriti was rendered very beautifully. The violinst followed like a shadow. The mridangist provided good support also.
The main AlApanai of nATTakuranji was very elaborate and showed many nuances of the rAgam and explored the rAgam quite thoroughly. The violinst gave a real nice reply. The kriti was rendered with an elaborate round of svarams and korappu. The mridangist was very accomodative in playing for the slow piece and played a nice tani. The jAvaLi came with a good flair providing a good ending to the concert.
The three young musicians were good in their respect. They seem to be very promising for the future years to come.
Labels: Instrumental, K L Kaushik
posted by bharath at 4:53 PM
2 Comments:
i don't think u shud really pamper me like that bharat!!!
i was sloppy that day and yet u didn't mention it!?
" gave good replies"?? wat r u playing at?
i may have done something stupid but that doesn't stop my concert from being sluggish
i understand ur sentiments. but i can write only what i hear and feel. may be i aint all that sensitive...
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