T K Govinda Rao, M N Kandaswamy Day
T K Govinda Rao - H N Bhaskar - T K Murthy - B Sivaraman
MN Kandaswamy Day, Raga Sudha hall
13th June 2008. 6:15 pm
sAmi entani - suruTTi - tisra Ekam (varNam) (short sketch)
tera tIyaga rAdA - gauLipantu - Adi - T (S)
shankari nIvE - bEgaDa - rUpakam - Subbaraya Sastri (RS)
sArasAksha paripAlaya - pantuvarALi - Adi - ST (NS)
marivEra dikkevarayya - shanmukhapriyA - Adi - PSI (RNST)
nA morAlakimpa - dEvagAndhAri - rUpakam - T
vEnkaTa saila vihArA - hamIr kalyANi - Adi - SubbarAya Sastri (RS)
kaNamum maravAdhE - sAmA - Adi - AK (S)
Adaya srI raghuvara - Ahiri - Adi - T (S)
arum ponnE maNiyE - viruttam in bilahari, kApi, sindhu bharavi
venkaTAcala nilayam - sindhubhairavi - Adi - PD
tillAnA - gambIra vANi - Adi - TK Govinda Rao
nI nAma rUpamulaku - saurAshTram - Adi - T
It was one superb concert. From the grand varNam, each piece was rendered very beautifully. Everything fell in place. The AlApanais were as usual very innovative and refreshing. The neraval were extensive. I was mesmerised by his one Avarthana svarams. The number of patterns which kept coming were just endless. The violinst was giving good replies. Sri Murthy was playing very well, in complete tandem with the main artist. Sri Sivaraman ably supported him.
MN Kandaswamy Day, Raga Sudha hall
13th June 2008. 6:15 pm
sAmi entani - suruTTi - tisra Ekam (varNam) (short sketch)
tera tIyaga rAdA - gauLipantu - Adi - T (S)
shankari nIvE - bEgaDa - rUpakam - Subbaraya Sastri (RS)
sArasAksha paripAlaya - pantuvarALi - Adi - ST (NS)
marivEra dikkevarayya - shanmukhapriyA - Adi - PSI (RNST)
nA morAlakimpa - dEvagAndhAri - rUpakam - T
vEnkaTa saila vihArA - hamIr kalyANi - Adi - SubbarAya Sastri (RS)
kaNamum maravAdhE - sAmA - Adi - AK (S)
Adaya srI raghuvara - Ahiri - Adi - T (S)
arum ponnE maNiyE - viruttam in bilahari, kApi, sindhu bharavi
venkaTAcala nilayam - sindhubhairavi - Adi - PD
tillAnA - gambIra vANi - Adi - TK Govinda Rao
nI nAma rUpamulaku - saurAshTram - Adi - T
It was one superb concert. From the grand varNam, each piece was rendered very beautifully. Everything fell in place. The AlApanais were as usual very innovative and refreshing. The neraval were extensive. I was mesmerised by his one Avarthana svarams. The number of patterns which kept coming were just endless. The violinst was giving good replies. Sri Murthy was playing very well, in complete tandem with the main artist. Sri Sivaraman ably supported him.
Labels: T K Govinda Rao, Vocal
posted by bharath at 12:12 AM
4 Comments:
The second name in the title sent a shiver down my spine :-)
why?
Is this gambhIravANi an invention of TKG's?
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Every time I read your reviews, I feel I should write reviews too! But I forget to prepare myself with just a pen and a paper when I go to a concert!
gambIravANi is defly not TKG's invention. There is a thyAgarAja kriti in it. 'sadAmatim'
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