T M Krishna, Vani Mahal
T M Krishna - R K Sriramkumar - Vellore Ramabadhran - BS Purushotam
Sri Thyaga Brahma Gana Sabha, Vani Mahal
10 Dec 2008. 6:30 pm
alavulukuriyka - shankarAbharanam - Adi - A (S)
(tuned by Sri Nedunuri Krishnamurthy)
rAmachandrena - mAnji - rUpakam - MD
sarasa sAma dAna - kApinArayani - Adi - T (NS)
bhuvinidAsuDanE - srIranjani - Adi - T (RNS)
gatayA gatayA mAdhavam - kalyANi - misra cApu - NT (N)
(tuned by Sri Semmangudi Srinivasa Iyer)
nannu brOcuTaku - tODi - Adi - Subbaraya Sastri (RNS)
thani Avarthanam
sApashyAt kausalyA - jaunpuri - Adi - Tirupazhanam Panchapakesa Sastri (S)
thanthai thAiyum nI - viruttam in bilahari, bhairavi, kalyANi, sindhu bhairavi, kharaharapriyA - ThayumAnavar
navasidhi peRRAlum - kharaharapriyA - misra cApu - PS
tillAna - kAnaDA - rUpakam
nI nAma rUpamulaku - saurAshTram - Adi - T
mangaLAm kOsalEndrAya - suruTTi
It was a nice concert. The kritis were all rendered in a leisurely fashion. The AlApanais of srIranjani and tODi were both very elaborate and done in an effortless fashion. The neraval and svarams sung for all kritis were measured and done in a manner fitting to the mood of the kriti. The accompanists did a great job in adding to the concert effect.
Sri Thyaga Brahma Gana Sabha, Vani Mahal
10 Dec 2008. 6:30 pm
alavulukuriyka - shankarAbharanam - Adi - A (S)
(tuned by Sri Nedunuri Krishnamurthy)
rAmachandrena - mAnji - rUpakam - MD
sarasa sAma dAna - kApinArayani - Adi - T (NS)
bhuvinidAsuDanE - srIranjani - Adi - T (RNS)
gatayA gatayA mAdhavam - kalyANi - misra cApu - NT (N)
(tuned by Sri Semmangudi Srinivasa Iyer)
nannu brOcuTaku - tODi - Adi - Subbaraya Sastri (RNS)
thani Avarthanam
sApashyAt kausalyA - jaunpuri - Adi - Tirupazhanam Panchapakesa Sastri (S)
thanthai thAiyum nI - viruttam in bilahari, bhairavi, kalyANi, sindhu bhairavi, kharaharapriyA - ThayumAnavar
navasidhi peRRAlum - kharaharapriyA - misra cApu - PS
tillAna - kAnaDA - rUpakam
nI nAma rUpamulaku - saurAshTram - Adi - T
mangaLAm kOsalEndrAya - suruTTi
It was a nice concert. The kritis were all rendered in a leisurely fashion. The AlApanais of srIranjani and tODi were both very elaborate and done in an effortless fashion. The neraval and svarams sung for all kritis were measured and done in a manner fitting to the mood of the kriti. The accompanists did a great job in adding to the concert effect.
Labels: T M Krishna, Vocal
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