Sanjay, Nada Inbam
Sanjay Subrahmanyam - Avaneeswaram Vinu - VV Ramanamurthy
Nada Inbam, Raga Sudha Hall
18th December 2007, 6 pm
karuNimpa idi - sahAnA - Adi (varNam)
nIvaNTi deivamu - bhairavi - Adi - T (NS)
kAntimati - kalyANi - rUpakam - Subbarama Dikshitar
srI pArvati paramadvaita sivE - srI rAgam - Adi - Kunnakudi Krishna Iyer (R)
kailAsanAtEna - kAmbhOji - misra cApu - MD (RNS)
ennaDu jUtunu - kalAvati - Adi - T
muripemu galigE - mukhAri - Adi - T (RNS)
tani Avarththanam
maRRu peRRenakku - tODi - rUpakam
vizhikku tuNai - viruttam in sankarAbaraNam
kAdi mOdi - sankarAbaraNam - two tisra beats, one kaNDa cApu, one kaNDa Ekam. (tiruppugazh) (tAnam, neraval, svarams)
appan avadarittha - kharaharapriyA - Adi - PS
nI nAma rUpamulaku - saurashTram - Adi - T
Superb concert it was. From the varNam it was totally classical and enjoyable. All the kritis were rendered beautifully. The neraval and svarams at ' ADina ninnADavale gApADina ninnu pADavalegA' for the bhairavi kriti were good. The kalyANi kriti was awesome, and so was the srI rAgam AlApanai that followed. The kAmbhOji affair was totally classical and very moving. Neraval and svarams were sung at 'chAru sarashchandra kalAdharaNEna'. The mukhAri was completely handled with a lot of care. Thus it was very enjoyable. Neraval and svarams were rendered at 'ItulEni malaya mArutamuce gUDina kAvEri taTamandu'. Just as one was preparing for an RTP after the tODi piece, there came a viruttam to shut the doors for a possible pallavi. However, the viruttam was very elaborate and very very moving. As he began a tAnam after the viruttam, one was getting back the hopes of a pallavi. However, the tiruppugazh poured cold water on the hopes for a pallavi. Still there were some really innovative and moving neraval and svarams at 'thIdillAda mEviya sEvaR kodiyOnE" and anulOma pratilOma were done also.
The vocalist was flowing thro' the concert. He was very creative and made everybody sit up and enjoy. The accompanists were excellent. The violinst was very good and gave fitting replies to everything. The mrudangist was very good and played very accomadatively. His tani was nice and had a very elaborate kOrvai to finish
Nada Inbam, Raga Sudha Hall
18th December 2007, 6 pm
karuNimpa idi - sahAnA - Adi (varNam)
nIvaNTi deivamu - bhairavi - Adi - T (NS)
kAntimati - kalyANi - rUpakam - Subbarama Dikshitar
srI pArvati paramadvaita sivE - srI rAgam - Adi - Kunnakudi Krishna Iyer (R)
kailAsanAtEna - kAmbhOji - misra cApu - MD (RNS)
ennaDu jUtunu - kalAvati - Adi - T
muripemu galigE - mukhAri - Adi - T (RNS)
tani Avarththanam
maRRu peRRenakku - tODi - rUpakam
vizhikku tuNai - viruttam in sankarAbaraNam
kAdi mOdi - sankarAbaraNam - two tisra beats, one kaNDa cApu, one kaNDa Ekam. (tiruppugazh) (tAnam, neraval, svarams)
appan avadarittha - kharaharapriyA - Adi - PS
nI nAma rUpamulaku - saurashTram - Adi - T
Superb concert it was. From the varNam it was totally classical and enjoyable. All the kritis were rendered beautifully. The neraval and svarams at ' ADina ninnADavale gApADina ninnu pADavalegA' for the bhairavi kriti were good. The kalyANi kriti was awesome, and so was the srI rAgam AlApanai that followed. The kAmbhOji affair was totally classical and very moving. Neraval and svarams were sung at 'chAru sarashchandra kalAdharaNEna'. The mukhAri was completely handled with a lot of care. Thus it was very enjoyable. Neraval and svarams were rendered at 'ItulEni malaya mArutamuce gUDina kAvEri taTamandu'. Just as one was preparing for an RTP after the tODi piece, there came a viruttam to shut the doors for a possible pallavi. However, the viruttam was very elaborate and very very moving. As he began a tAnam after the viruttam, one was getting back the hopes of a pallavi. However, the tiruppugazh poured cold water on the hopes for a pallavi. Still there were some really innovative and moving neraval and svarams at 'thIdillAda mEviya sEvaR kodiyOnE" and anulOma pratilOma were done also.
The vocalist was flowing thro' the concert. He was very creative and made everybody sit up and enjoy. The accompanists were excellent. The violinst was very good and gave fitting replies to everything. The mrudangist was very good and played very accomadatively. His tani was nice and had a very elaborate kOrvai to finish
Labels: Sanjay Subrahmanyan, Vocal
posted by bharath at 12:08 AM
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