R Raghul - Violin Concert, Music Club IIT Madras
R Raghul - Kumbakonam Swaminathan - Harihara Sarma
Music Club IIT Madras. HSB 133
9th January 2008. 6:45 pm
sAmi ninnE - srI rAgam - Adi - KDI (short sketch) [varNam]
vallabha nAyakasya - bEgaDa - rUpakam - MD (sketch, S)
pArvati patim - hamsadvani - Adi - MD (S)
himagiri tanayE - suddha danyAsi - Adi - HMB
srI rAmam - nArAyaNagauLa - Adi - MD (R)
ilalO praNatAtihara - aTANA - Adi - T (sketch)
bAgAyanayyA - candra jyOti - Adi - T (RS)
murugA murugA - sAvEri - misra cApu - PT (R NS at 'allum pagalum nAn murugA murugA enRAl urugAdhO undan uLLAm')
sarasa sAma dAna - kApi nArAyaNi - Adi - T
RTP - simmEndra madhyamam - kaNDa tripuTa (2 kaLai) 2 akshara eDuppu 6 akshara aridi
nI padamulE gatiyani nammiti srI rAmachandrA
graha bEdam to rEvagupti in AlApanai. rAgamAlikA tAnam in nATTai, gauLa, Arabhi, varALi, srI rAgam. rAgamAlikA svarams in sAmA, rEvati, bEhAg, dEsh
guru vara deejo - madhuvanti - Adi
srI mAdhavA - bEhAg - Adi - MV
tillAnA - pUrNacandrikA - Adi - RSI
nI nAma rUpamulaku - saurAshTram - Adi - T
madhyamAvati short sketch.
A very nice concert. The AlApanais were all done very beautifully. It was nice to hear explorations of rAgam like nArAyaNagauLa and candra jyOti. The kriti selection was a little offbeat and they were all rendered well. The svarams were all good and had nice kOrvais. The pallavi was rendered beautifully with trikAlam and anulOmam. The accompanists were good also.
Music Club IIT Madras. HSB 133
9th January 2008. 6:45 pm
sAmi ninnE - srI rAgam - Adi - KDI (short sketch) [varNam]
vallabha nAyakasya - bEgaDa - rUpakam - MD (sketch, S)
pArvati patim - hamsadvani - Adi - MD (S)
himagiri tanayE - suddha danyAsi - Adi - HMB
srI rAmam - nArAyaNagauLa - Adi - MD (R)
ilalO praNatAtihara - aTANA - Adi - T (sketch)
bAgAyanayyA - candra jyOti - Adi - T (RS)
murugA murugA - sAvEri - misra cApu - PT (R NS at 'allum pagalum nAn murugA murugA enRAl urugAdhO undan uLLAm')
sarasa sAma dAna - kApi nArAyaNi - Adi - T
RTP - simmEndra madhyamam - kaNDa tripuTa (2 kaLai) 2 akshara eDuppu 6 akshara aridi
nI padamulE gatiyani nammiti srI rAmachandrA
graha bEdam to rEvagupti in AlApanai. rAgamAlikA tAnam in nATTai, gauLa, Arabhi, varALi, srI rAgam. rAgamAlikA svarams in sAmA, rEvati, bEhAg, dEsh
guru vara deejo - madhuvanti - Adi
srI mAdhavA - bEhAg - Adi - MV
tillAnA - pUrNacandrikA - Adi - RSI
nI nAma rUpamulaku - saurAshTram - Adi - T
madhyamAvati short sketch.
A very nice concert. The AlApanais were all done very beautifully. It was nice to hear explorations of rAgam like nArAyaNagauLa and candra jyOti. The kriti selection was a little offbeat and they were all rendered well. The svarams were all good and had nice kOrvais. The pallavi was rendered beautifully with trikAlam and anulOmam. The accompanists were good also.
Labels: Instrumental, music club, Raghul
posted by bharath at 10:46 PM
4 Comments:
Hi!
This was a very heavy concert, if I might add. :) And how do you make out grha bhedams — especially into a rAgam like rEvagupti? I'm hearing the name for the first time :(
Please also explain what aridi is.
Thanks!
very heavy concert
I somehow never digest kOrvais well.
identifying ragams comes by practice. there is no other short cut
Yes, identifying rAgams comes by practice. (I have had enough practice to know that, at least :) .)
But rEvagupti, I haven't heard before. As if that isn't sad enough, what worries me is that I didn't even notice anything "wrong" with the Simhendra Madhyamam. Canst thou please list a few (5-6, not 25-30) must-hear krtis in Simhendra Madhyamam for me? If can be, maileth any lakshanam facts thou canst immediately recollect.
But ... does the shruti potti not disturb things (for performers and listeners) during a grha bhedam? How should we tackle it (as listeners)?
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