« Home | T T Narendran, Veenai Navarathri » | Kalpakam Swaminathan, Veenai Navarathri » | T M Krishna, Vedic Sangeeta Foundation » | Sriram Parasuram, Music Club IIT Madras » | Neela Ramgopal, Music Club IIT Madras » | Ritha Rajan, Nada Inbam » | Veenotsav 2010 » | Rahul Narayan, Nada Inbam » | Kalpakam Swaminathan, Nada Inbam » | Madurai T N Seshagopalan, Music Club IIT Madras »

Thursday, October 14, 2010

V Sumithra, Music Club IIT Madras

V Sumithra - Bombay V Anand - R Sankaranarayanan

Music Club IIT Madras, CLT
5 Oct 2010.
Dilip Rememberance

srI mUlAdhAra - srI - Adi - MD
koluvai - dEvagAndhAri - Adi - T
srI nAtAdi - mAyAmALavagauLa - Adi - MD (RN)
nIvAda nEgAna - sArangA - kANDa cApu - T
nijamukha rAmA - kIravANi - Adi - RSI (RNS)
kulabirudulu - dEvamanOhari - rUpakam - T
RTP - nATTAikuranji - misra tripuTa (2 kaLai) 3/4 eDuppu, 7 aridi
mahima teliya taramA rAmA nI
rAgamAlikA svarams in nAgasvarAvaLi, gauLa, sAmA
tani
UrilEn kANi illai - pAsuram in sAveri, sahAnA, varALi, madhyamAvati
aDAikkalam - madhyamAvati - Adi - AK
tillAnA - vasantA - Adi - AKP
nI nAma rUpamulaku - saurAshTram - Adi - T

It was a wonderful concert. A very classical affair from the beginning and each piece rendered with a lot of punch of weight. Each piece was carefully chosen and rendered appropriately. The perfect beginning invoking Lord Vinayaka in srI rAgam was just the way it should have begun. With a quick dEvagAndhAri, the elaborate mAyAmALavagauLa was having the right measure of quick and leisurely phrases in an apt mix to fit the kriti that came.

srI nAtAdi guruguhO was rendered with elaborate round of neraval at 'mAdUrya gAnAmruta pAnO'. The quick fast paced sAranga with a few really catchy sangatis lead to the next elaborate piece.

kIravANi was given ample time and elaborate treatment. The AlApanai was very classical and soaked with rAga bhAvam. The kriti was rendered with elaborate neraval and svarams at 'vasudalO nIdu vara bhaktalaku'.

The nATTaikuranji was just tooo good. The AlApanai was stunning and rendered with the required punch albeit with the nuances of the rAgam kept intact all the way. The tanam was very nice as well. The pallavi was rendered well with elaborate neraval and svarams. The rAgamAlikA pAsuram had very classical rAgam chosen and rendered with a certain completeness that one feels only with such rAgams.

The accompanists were very good and played very appropriately for the concert. They kept themselves in the right proportion and also portrayed their responses in a equally enjoyable fashion as the main artist.

It was a very enjoyable and classical concert fitting to the rememberance of dilip.

Labels: , ,

0 Comments:

Post a Comment

<< Home