« Home | R Ratipriya, Nada Inbam » | Bharat Sundar, Kedaram » | Rama Ravi & Nanditha Ravi, Lakshmi Kuppuswany Trust » | Rama Ravi & Nanditha Ravi, Brahma Gana Sabha » | TNS Krishna, Rama Priya Arts Foundation » | Aruna Ranganathan, The Brinda Repertory » | V Sumithra, Nada Inbam » | Seetha Narayanan, Nada Inbam » | Suguna Varadachari, Nada Inbam » | TM Krishna, Nada Inbam »

Monday, December 26, 2011

Amritha Murali, Music Academy

Amritha Murali - Ranjani Ramakrishnan Arun - R Shankaranarayanan - Chandrasekara Sarma

Music Academy
25 Dec 2011. 1:45 pm

vidukalu mrokkEdA - mAyAmALavagauLa (sketch, S)
entaninnE - mukhAri (RNS)
parimaLa ranganAtam - hamIrkalyANi
trilOka mAtA - paras
akshayalinga vibhO (RNST)
RTP - suruTTi - khaNDa jhampai (khaNDa naDai) 4 akshara eDuppu, 6 akshara aridi sAranga varada mAmava sarvadA - charaNamiti suraTitha rAgamAlikA svarams in sArangA and brindavana sArangA
saravaNa jAtha - sindhubhairavi - sankIrNa jhampa - Thiruppugazh

Labels: ,

Saturday, January 13, 2007

Amritha Murali, Music Club IIT Madras

Amritha Murali - L. Ramakrishnan - R.Sankaranarayanan

Music Club IIT Madras, DoMS Hall
12th January 2007. 7 pm

erA nApai (varnam) - tOdi - Adi - PSI
sanAtana paramapAvana - phalamanjari - Adi - T (short sketch, S)
nArada gAnalOla - atAnA - Adi - T (R S)
shrI kamalAmbikayAh - sahAnA - tisra tripuTa - MD (R)
bhajana sEyu margamunu - naaraayaNi - Adi - T
janani mAmava - bhairavi - misra cApu - ST (R N S)
tani Avarththanam
sarasa sAmadhAna - kApinArAyaNi - Adi - T
RTP - pUrvikalyANi - Adi (2 kaLai) 'apUrva palada kalyANi parama pAvani bhavAni' 3/4 eDuppu. 4 akshara aridhi. rAga mAlikA in kalyANi and malayamArutam
chandra chUDa - darbAri kAnaDa - Adi - PurandaradAsar
viruttam "vizhikku thunai" - kApi, behAg, sindhubhairavi, bhAgeshri
nAdi thEDi thozhuvAro - bhageshri - thiruppugazh
nI nAma rUpamulaku - saurAshTram - Adi - T

It was a very nice concert. Kum Amritha sang a concert in strict adherence to classism and it was treat to those who attended.

The aTANA was very nice. The AlApanai and the svarams were good. The sahAnA AlApanai was very moving and was very indicative of a grand kriti to follow. The navAvarNam was just the piece that could fit there. It was rendered with a lot of bhavam.

The main bhairavi AlApanai was very good. It was rather surprising to me to hear 'jananI mAmava'. the neraval and svarams at 'anupamIta kamalA vAsE dEvi' were done well. The pallavi, though set to a popular tALAm, was rendered very nicely.

Labels: , ,